![]() Wild at Heart depicts a threat to this romance in the form of Bobby Ray Lemon and Marietta (who hired him to kill Sailor). Wild at Heart breaks down the distinction between the merely private fantasy and the external world, allowing us to see how private fantasies work to shape me external world. It is harmonious, pure, and innocent, while the surrounding world is degraded, violent, and perverse. The relationship between Sailor and Lula provides respite from the unpleasant life existing outside of it. Wild At Heart is his nightmare pastiche of road movies, outlaw crime pictures, lovers-on-the-lam thrillers, small-town noirs, and old Elvis vehicles: Lynch’s own skip down the yellow brick road of movie history. Most of Lynch’s movies are dreams, by his own admission and virtue of their rabbit-hole logic. Wild at Heart's disarming directness reveals an often eclipsed side of Lynch as an unhinged romantic. The focus again is on the corrosive power of repression, but Lynch’s pacing picks up here and the ecstatic expressiveness of his performers brings an electrifying element of physical presence and energy to some of Lynch’s most memorable sequences. It’s also one of Lynch’s most straightforward films, though there’s never once a feeling of compromised vision. ![]() On their tale are assassins hired by Dern’s Lula’s mother (Diane Ladd), who wants Cage’s Sailor dead for refusing to fuck her in a bathroom stall. David Lynch's best movies: #1 Eraserhead and #2 Wild at Heart #3 Blue Velvet #4 Mulholland Drive #5 Twin Peaks: Fire Walk with Me. In Wild At Heart (1990) a pair of violent, disturbed twenty-something lovers, played fearlessly by Nicolas Cage and Laura Dern, hit the road into the wild blue yonder, emphasis on the “wild” bit.
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